Hello, World. Let Me Tell You Something
about the Art of Hooking Up.
In theory, a man asking a woman out on
a date to the local art museum seems like a good idea. He doesn’t have to talk
much, he gets to show off how sophisticated he is, and it’s inexpensive. In
actuality, these kinds of dates are just awkward. Because about ten minutes in,
he realizes he has no idea what his artistic outlook ought to be. Is he
supposed to agree with her, love the pieces she loves? Should he disagree
occasionally, to assure her he’s intelligent enough to have an opinion of his
own? And what’s the proper following distance? Too close could make her feel
uncomfortable. Too far could make her feel ignored.

Being a woman, I myself am on the
receiving end of the man’s nervousness. Which means a trip to the art museum is
not a good first date for either party. And it’s that dreaded awkwardness which
makes dating hard and hooking up a seemingly easy alternative. Dating requires
you to get through a lot of
“I-can’t-text-him-first-or-he’ll-think-I’m-desperate-[several hours
later]-maybe-just-this-once-I’ll-intitiate-oh-great-he’s-responded-already-now-how-long-should-I-wait-to-text-back-[half
an hour goes
by]-I-wonder-if-he-thinks-what-I-said-is-stupid-why-hasn’t-he-responded-again”
mind games, which gets emotionally taxing. But with hooking up you can forego
the art museums and shortcut to bed.
Is that why hooking up has eclipsed
dating on college campuses?
Terrible Photoshop skills aside, dating is like playing
the full game of Candy Land, wrought with licorice traps and
chocolate swamps. Hooking up is like taking the Shortcut! to King Candy.
Disclaimer: Shortcut! isn’t as
straightforward as the diagram suggests. In fact, it’s a just a revamped trip
to the art museum. Neither party knows what to do at first. And, similar to how
asking someone’s opinion about a hideous sculpture is always a trick question,
hooking up means something different to everyone. This ambiguity can be a good
thing. If you’re a man, “Bro, I hooked up with her last night,” translates to,
“I got laid” even if you didn’t and you just want to seem like you’ve got game.
If you’re a woman, you can use the ambiguity to defeat the sexual double standard.
Say you did sleep with a guy, but you don’t want to appear slutty. You tell
your girlfriends you just “hooked up” and maybe that means you made out? Second
base? Third? Who knows? And that, my friends, is the beauty (?) of saying
something without saying anything.
BUT. In keeping with the art analogy,
hooking up doesn’t follow the rules. Accompanying this ambiguity is the lack of
a script. Is there a Third Day Phone Call, like in dating? Was my hook up a
drunken one night stand, my new friend with benefits, my future significant
other? If we do hook up again, how do I know when it’ll be our last time?
As in, when should I not leave my good bra under his couch cushion if I ever
want to see it again?
Now I know you didn’t choose to read
this to learn more about art museums. You want to be entertained with crazy
hook up stories. I don’t blame you—the latter seems far more interesting to me,
too. I’ll try not to disappoint, but such stories will be supplemental only.
The purpose of this blog is actually academic. Future posts will delve into the
pros and cons of dating versus hooking up, and why one practice may be
preferable to the other depending upon current circumstances.
And who, you ask, is doing the delving?
I’m an undergrad biology major, art minor. I’m nearly done with my third year
and I’ve experienced a little bit of everything in that short amount of time. I
started school in a long distance relationship with a guy I’d been with for
three years, then I broke his heart and transitioned to the hook up culture,
enjoyed the single life, then I had my heart broken a few times, then I switched back to dating around,
and finally after too many first dates I’ve found myself in a committed
relationship once again. Which I never expected. But more on that later.
Point is, throughout the manic phases
which have comprised my love life, I’ve struggled with defining hooking up, how
it relates to my gender role, why it’s so much more popular than dating in
college, and a whole slew of related topics. And I’ve decided that hooking up
is one twisted art form indeed. Finding the delicate balance between acting
like a not-friend and a not-girlfriend was harder than painting in the lines
with water color. I’ll stick to my hard and fast acrylic paints, thank you.
You Know you’re Hooking Up Smart when
you Profile Susan Walsh.
Sorry, all. This is gonna be week #2
without an anecdote. I know you really look forward to those, or at least
that’s what I tell myself. Instead, I’d like to introduce you to a really neat
blog called “Hooking Up Smart.”
The blog is about coed relationships.
Susan Walsh, the author, says she blogs to help people navigate the so-called
“hostile terrain of the contemporary sexual marketplace.” And she’s certainly
popular. Many of her posts have 200-300 comments (Pretty sure my most popular Facebook prof pic has maybe 7 but who’s
counting?). EACH. Impressive, considering she’s written over 800 posts since
November 2008.
Walsh earned her MBA in 1983, and has
worked for companies and non-profit organizations as a strategy consultant ever
since. With her blog, she uses similar problem-solving approaches to help young
people struggling with contemporary relationships. She offers some unique
insight by virtue of the times she grew up in, which were the 1970s (Note: this
was just after the sexual revolution. Interesting.).
What initially got me clicking on her
page was this graph:
It’s from an article about gender inequalities in the
sexual market. Not unsurprisingly, the female curve peaks much earlier in life
compared to the male curve. Already a riveting topic by itself, Walsh adds her own
creative spin by adopting an academic tone. Instead of bombarding her readers
with a bunch of sexual market value (SMV) stats, which could for the most part
be predicted with common sense, she makes a case to dispute the fact that the
male curve encompasses a greater area than the female one, implying that males
have an overall higher SMV.
(In case you don’t see it, this may help.)
She formally predicts: “It is my
hypothesis that the distribution curves are indeed asymmetrical, with women
peaking earlier and higher, while male SMV is a lower, broader curve. However,
the mean value of SMV over time should be the same for both sexes.” She then
goes on to cite famous scientists like Charles Darwin and Donald
Symons, which makes her
analysis a bit more respectable.
I trust by now you know how to read (or
at least like to stare at nonsensical characters on your computer screen), so
here’s the link
if you care to know the outcome of her argument.
As an added bonus, her blog is
extremely relevant to this one. Her frequent tags include: “Hooking Up
Realities,” “Relationship Strategies,” “Personal Development,” “Politics and
Feminism”….In fact, she links to an article which I read while researching my
recent paper about the long-term effects of hooking up.
Not only are Walsh’s posts
entertaining, but they also have substance. She definitely does her homework
before publishing anything. For example, in her post, Slut, Prude or Tease. Is There Another
Option?, she draws heavily
from posts
written by USC freshman Arianna Allen and an article written by NYU student Sarah
Jacobsson. By including direct quotes from young people’s writing, she can
appeal to a younger audience despite her age (my guess would be mid-50s).
She doesn’t limit herself to one target
audience, though. Obviously, most of her readers are likely young people since
they are in the thick of hooking up and dating, but she also attracts older
readers with posts such as How to Meet Guys After College.
It’s Walsh’s versatility which makes her blog an excellent source for what I’m
trying to do: discuss an awkward topic in a serious manner. Walsh’s articles
are not dirty and embarrassing to read, unlike the kinds which normally pop up
when you Google search the words “hookup culture.” I
didn’t notice before, but I’ve actually already consulted her once before in my
post, “Will You Still Love Me Without my
Mascara?”. Walsh authored Vulnerability: Love's Secret Ingredient.
My site will differ from Walsh’s,
though, because my point of view is different. For me, this lifestyle isn’t
retrospective. I’m still in college, at the heart of the confusion. Walsh is married.
Her posts are much more researched than mine, too, whereas I like to draw from
personal experience instead. Which I will get back into the habit of doing, I
promise!
Anyway, check it out. I think it’ll be worth your time.
Voice,
and the Difference Between Talking to You Versus Writing at You.
Voice. Literally, sound produced in the
larynx and expressed through the mouth. More abstractly, the way of expressing
an idea in words.
Auditory or written, voice is unique
per person. Imagine: your mom yelling up the stairs, “Honey, come down for
dinner!” versus your romantic partner saying, “Honey, dinner is ready.” These
mean essentially the same thing (i.e.: you’re about to stuff your face), but
they have two totally different connotations. The former likely precedes an
unwanted inquisition re: whom you’re dating, what your grades are, how much
money you’re making, etc. Whereas the latter likely precedes getting happily
wine drunk and some cuddling on the couch.
Obviously, voice is easy to differentiate
when you physically hear the words from a person’s mouth. How to distinguish
written voice, though? This is a bit
harder, but good authors will use a strategic pattern of word choice, phrasing,
sentence structure, and even punctuation to make us readers feel as if they
have physical voices.
For example, consider Jen Glantz,
author of the blog, “The Things I Learned From.” Whenever I’m scrolling through
different blogs, I can always tell once I’ve come across something from her.
How? A few tip-offs:
(1) She adopts an easy tone with the
reader, as if you’ve been pals for years.
“That sounds crazy, doesn’t it?”
“But what happened?”
“Throw me a constructive criticism bone
here, will you?”
Other times, such as in her tirade, “Dating is Extinct,” she uses the second person pronoun:
“You had to get off the couch….”
“You actually had to turn off the TV….”
“[You had to] change out of your
stained Scooby-Doo Christmas fleece pajamas….”
By openly criticizing the reader for
being lazy, she assumes an air of familiarity.
(2) She makes frequent references to
contemporary social media.
When she’s trying to justify why a guy
didn’t call her back she says, “maybe he’s an alien and secretly lives on
Mars….” which references John Gray’s book.
Another way she tries to cope with her
rejection? She says, “I’m not ready to kick my Tinder addiction….” in reference to a hookup
app launched by USC last fall.
“Now we just swipe left, left, left.
Click next, next, next…”
By incorporating well-known social
media, she demonstrates to college-age readers that she’s just like them. She’s
not some granny who doesn’t “get” this generation.
(3) She uses repetition.
“But it’s not.”
“But not this one.”
“But what happened?”
“But that’s what friends are for.”
“But come on!”
“We tell ourselves it’s okay. We tell
ourselves not to get too attached….We mourn just a little bit. We tell our
roommate that we’re done with this whole dating thing….We don’t count our
losses. We say ‘next time.’”
(4)
She establishes a down-to-earth quality by making fun of herself. First, she
admits to brainstorming her blog in the shower. Next, she says failed dates
make her dig a spoon into some Ben & Jerry’s. Oh and she wears cartoon fleece
pajamas? This is how she lets her audience know she’s not some aloof dating
psychologist. She’s a single young woman struggling with the same game.
(5) Her quirky imagery. Few people can
get away with saying things like, “When I went in for a kiss, she turned her
head and for two seconds, my tongue got real intimate with her cochlea.”
Or, “we couldn’t be on the toilet…and
decide to zone out and peruse local singles on a dating website.”
But after reading a lot of Jen’s blog,
it’s the mental pictures like these which have made her sense of humor distinct
in my mind.
Voice ought to always complement the
content, not contrast with it. With these five strategies, in conjunction with
several unmentioned others, Jen establishes herself as a trustworthy source.
Equally important is consistency, which
Jen has mastered. As noted before, “Exit Interviews” is a comedic post whereas “Dating is Extinct” is quite hostile. Despite this huge
difference, Jen maintains the same style (note how in 1-5 the first supporting
example is from the first post, the second from the second). You can tell it’s
her writing whether she’s voicing lighthearted frustrations or scorning the throw-away
mentality of this generation.
I could go on and on, but I’m at/past
the word limit. My point? It is entirely possible to have a strong voice
through written word. Skillful authors can write in a voice so distinct it
becomes immediately obvious to the reader whose name is in the byline without
having to check. It is these authors who have human “voices” in the heads of
their readers.
Now about that dinner….